I was interested in the curatorial decision in the Zaneli Maholi for certain photographs to be enlarged and printed as if they were on/ part of the wall. The figures were life-size if not larger and the photos were arranged so that the bottom of them was flush with the gallery floor. I became quite interested in where the photos met the floor and how this altered the space slightly. This was particularly the case for this photo where the addition of water seemed to do sometime special with the wooden floor.
Liked the use of everyday materials to construct clothing. Making the photographs black and white does something to make these objects believable at a glance.
Oisin Stanley-Stephenson 